SOUND ON SOUND
Can plug‑ins ever match the sound of outboard and an analogue console? Our unique comparison recreates a 48‑channel hardware mix using software alone.
Arturia's, Frédéric Brun, talks about the company's eventful history, taking in highlights such as the innovative MiniBrute, the epic PolyBrute and the company's first stage keyboard, the new AstroLab.
Electronic Music artist Jlin talks about her processes for creating a new work, being ready to tour straight from the studio, and staying grounded and focused when your work gains recognition.
Sam Boydell talks us through selecting an orchestral sound library, creating a simple string motif and incorporating more realism into the finished piece.
Alan Moulder, 2024 recipient of the Icon Of The Year Award from the Music Producers Guild, talks to Kevin Paul about his early years at Trident Studios and finding his specialist areas.
Is there still a place in our plug‑in folders for the core algorithms from TC Electronic’s legendary System 6000?
Over the years, David Kosten has helped create many weird and wonderful sounds, and selects ‘Seal Jubilee’ by Bat For Lashes as a favourite.
